David Yezzi, The Dramatic Element
excerpt:
The dramatic lyric tends to be a combination of Eliot’s second voice (the poet talking to an audience) and third voice (characters talking to each other). In such poems, the poet himself will often function as a character...
[ ask yourself first if you believe it to be the case that the new is new, or newly suggested unsuggested, or undone not yet done, and also if any absolute answers pertaining to the former are in any/someway valid, and then proceed if you'd like ]
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from The New Criterion
Monday, March 15, 2010
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